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10cf746e54 Though only a modest hit for Cooke in comparison with his previous singles, "A Change Is Gonna Come" became an anthem for the Civil Rights Movement. The two recordings alsosoundas unlike one another as two early-sixties records could: Cooke and Dylan were wading up different streams of the American song for inspiration. Cooke had initially imagined that Luigi, first and foremost a pop hitmaker, would not respect the socially conscious song.. Ten months later, "A Change Is Gonna Come" was prepared for single release, with the verse and chorus preceding the bridge ("I go to the movies") deleted for radio airplay. The civil rights movement picked up on "A Change Is Gonna Come" with near immediacy.. AFO drummer John Boudreaux was intimidated by the orchestral arrangement and refused to leave the control room; session player and close collaborator Earl Palmer was working next door and filled in for the song. "A Change is Gonna Come"Written by Sam Cooke. Cookes rough, sweet voiceblues-born and church-bred, beat down but up again and marchingstill rings. ^ Vincent, Alice (June 2, 2013). By contrast, the melody to A Change Is Gonna Come, with its long dynamic lines that trek the peaks and valleys of arranger Ren Halls lush orchestral landscape, shows Cooke working off of Tin Pan Alley standards, film music, and show tunes.
Submit Corrections Cancel . When he arrived, Cooke ran through the number on his guitar twice, the second time going over it line by line. Both were very excited to record the song, with Alexander viewing it more personal and political than anything he had yet attempted. In addition, upon hearing Bob Dylan's "Blowin' in the Wind" in 1963, Cooke was greatly moved that such a poignant song about racism in America could come from someone who was not black, and was also ashamed he had not yet written something like that himself. However, his image and fears of losing his largely white fan base prevented him from doing so. Cooke loved the song so much it was immediately incorporated into his repertoire.. Published by ABKCO Music, Inc. July 21, 2013. In 2007, the song was selected for preservation in the Library of Congress, with the National Recording Registry deeming the song "culturally, historically, or aesthetically important.". 92642.